Great movie. Go see it!

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Ratification Process for New Contract

Under the WGA constitution and bylaws, there is a ten-day ratification process and an alternative, 48-hour ratification process. Guild president Patric Verrone indicated that there are burdensome logistical procedures required under the 48-hour process that make it impractical. Thus, they expect to use the ten-day process.

During the ratification process, people will be asked to suspend the strike and return to work pending the outcome of the vote. Many people at the meeting objected to this, and apparently are feeling pressured or even manipulated by the Guild leadership. Nonetheless, a back-to-work resolution is apparently part of the deal the Guild leadership agreed to.

Although people expressed criticism of the deal, my source believes it will pass.

New Media Residuals

Pretty much the same as the DGA deal, with a couple notable exceptions. One difference, as previously reported in the trades and elsewhere, is that the residual for ad-supported streaming is 2% of distributors gross, starting in the third year of the three-year Guild agreement. (For the first two years, the residual is a fixed dollar amount.) The other difference from the DGA deal relates to cable TV; see below.

The promotional window (during which no residuals are due) is still 17 or 24 days, as in the DGA deal, and the formula for paid downloads is unchanged from the DGA deal as well.

Cable Residuals and Minimums

Cable takes it on the chin, in two ways. First, the improved residual rate for ad-supported streaming (2% of distributors gross rather than a fixed dollar amount) applies only to network TV shows streamed on new media (the Internet or cell phones). In contrast, streaming of cable TV shows is subject only to the fixed dollar residual.

Second, basic cable minimums were not increased to the same degree as achieved by the DGA. Specifically, under the DGA deal, directors of high-budget basic-cable programs got a 12% pay increase. However, under the proposed WGA deal, writers of such programs do not receive an equivalent bump. (Note – this issue is not related to new media.)

Given the increasing amount of scripted content on cable (basic cable, such as FX, USA and AMC, as well as pay TV such as HBO and Showtime) – and the decreasing amount on network TV, at least for the time being (since strike-replacement reality programming is occupying time slots formerly held by scripted programming) – it seems shortsighted and unfortunate for cable TV to suffer second-class citizenship.

Favored Nations

If the Screen Actors Guild gets better deal terms in its upcoming negotiations than the writers, will the writers retroactively get the benefit of those improved terms? This is called “favored nations.” (See http://digitalmedialaw.blogspot.com/2008/02/favored-nations.html for discussion.)

The WGA deal, it turns out, has only a limited form of favored nations – it applies only to the new media provisions of the proposed agreement. So, if SAG attains better terms in another area, such as DVD residuals (which SAG has highlighted as an issue it will focus on), the writers would not get the benefit of SAG’s efforts.

This issue may be academic – AFTRA (another, and more moderate, actors union) has announced that it will negotiate separately with the studios, undercutting SAG’s leverage and perhaps reducing the likelihood of any gains. Still, this story is very much in flux, and it’s too early to know whether SAG might nonetheless achieve further benefit.

New Media Jurisdiction

If a professional writer writes original programming for new media, the work will be covered by the Guild agreement, even if the budget levels for the programming are low. This is an improvement over the DGA deal, which covers original programming for new media only above certain budget levels. (Derivative programming for new media – i.e., spinoffs of existing TV shows or movies – are covered regardless of budget level.)

The proposed deal sets minimum compensation levels, though the minimums are not high.

Separated Rights

The proposed deal provides for separated rights in new media. See http://digitalmedialaw.blogspot.com/2008/02/whats-deal.html for an explanation of this concept.

Minimums

Various minimum compensation levels will increase by 3.5% or 3% per year under the proposed deal.

Clip Usage

There are some provisions regarding clip usage that apparently are not favorable to late-night TV writers.

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I mean, I got my groceries, a pizza, and a soda and for three dollars I had three movies that I’ve been wanting to see for a while. Evan Almighty, Smokin’ Aces and Blades of Glory. At $1 each, that’s still cheaper than one movie at Blockbusters, especially since I plan on vegging out and watching them all in one day.

I hope this trend spreads. Build more of these DVD vending machines and put them all over my city like it’s Tokyo!

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For 94 minutes I knew exactly what it felt like to be mentally handicapped. Seriously, I had to burn myself just to make sure I still felt pain. I vote this movie “Most Likely to Make One Feel Like They’ve Had A Lobotomy”

Everyone involved in the production of this film owes me money. Even though I rented it for free on my Blockbuster Rewards account, I attribute a few hundred dollars for pain and suffering, fraud for calling it a “movie” when really it was more like afterbirth in a box, and personal damages because I can never get my time back.

You hear that director of “Resident Evil: Apocalypse (2004)”? Uwe Boll makes better movies than this. Troma Entertainment makes better movies. I could *beep* on a projector and burn it and it would make a more interesting visual presentation than this film.

I do have to thank you for one thing though. I actually cried myself to sleep after watching this movie because I realized that I’d hit rock bottom and immediately afterwards I checked myself into AA.

Ofcourse the last line isn’t true, I just added it for effect. =)

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This was the original image that I used to zombify myself.

Half-way through the process you can really start to see things coming together!

After a few hours of dodging and burning, the zombie effect is complete!

The final image of myself as a bloody zombie. This didn’t take nearly as long as I thought it would but the end result was quite nice. I may spend some more time on it tweaking the decaying flesh but I’m pretty satisfied with it so far!

The End Result.

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“You watch those nature documentaries on the cable? You see the one about lions? You got this lion. He’s the king of the jungle, huge mane out to here. He’s laying under a tree, in the middle of Africa. He’s so big, it’s so hot. He doesn’t want to move. Now the little lions come, they start messing with him. Biting his tail, biting his ears. He doesn’t do anything. The lioness, she starts messing with him. Coming over, making trouble. Still nothing. Now the other animals, they notice this. They start to move in. The jackals; hyenas. They’re barking at him, laughing at him. They nip his toes, and eat the food that’s in his domain. They do this, then they get closer and closer, bolder and bolder. Till one day, that lion gets up and tears the shit out of everybody. Runs like the wind, eats everything in his path. Cause every once in a while, the lion has to show the jackals, who he is.”

- Mike (Christopher Walken), POOLHALL JUNKIES

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If you haven’t seen HOT FUZZ yet, I can’t recommend it high enough. I haven’t had this much fun at a movie theater in quite a while. The action-flick parody/british comedy centers around the life of Sgt. Nicholas Angel (Simon Pegg), a no-holds barred police officer from the mean streets of London, who ens up stationed in the small village of Sanford. Without giving too much away, he finds himself at the center of a well crafted plot to terrorize the citizens of Sanford…or is it all in his head?

If you liked SHAUN OF THE DEAD (also starring Simon Pegg), you’ll love this which I think was even better. It’s good to finally get a comedy that’s funny while still being smart and witty.

By the Power of Grey Skull!

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